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Composers' Salon | Friday, July 7, 2017

An evening of music and discussion with Seattle composers: Keith Eisenbrey Jay Hamilton Jessi Harvey Jeremiah Lawson Clement Reid Friday, July 7, 2017, 8 pm Chapel Performance Space 4649 Sunnyside Ave N, 4th Floor $5–15 suggested donation

May 2017 Salon previews

Patrick O’Keefe Morning Stroll , a mostly tonal almost-rondo for saxophone quartet There is an emphasis on quartal intervals and harmonies, some indeterminate and/or poly-tonality, etc., but common practice has not been left very far behind. All in all, it’s pretty typical of my music. It’s not really programmatic, but you can picture someone with a very short attention span going for a walk—being distracted by anything and everything seen on the walk. The work will be performed by the Emerald City Saxophone Quartet: Barbara Hubers-Drake, soprano; Molly Pond, alto; Harold Rosenkrans, tenor; Jim Glass, baritone A computer generated version of this piece, along with other pieces of mine, are on Soundcloud . Jeremiah Lawson Guitar Sonata in A major In 2015 I composed a set of guitar duets I called the Zombie Sonata Rags , where I transformed my favorite themes from the guitar sonatas of Carulli, Diabelli, Giuliani, Matiegka and Sor into the core of rags. Naturally if sonat...

Composers' Salon | Friday, May 5, 2017

An evening of music and discussion with Seattle composers: Patrick O'Keefe Jeremiah Lawson John Kammerer and Rebekah Ko John Teske Friday, May 5, 2017, 8 pm Chapel Performance Space 4649 Sunnyside Ave N, 4th Floor $5–15 suggested donation

March 2017 Salon previews

ComManD Thaumaturgy ComManD ensemble presents a composition of music and dance enhanced by technology. Accelerometer information is used to digitally shape and alter acoustic music. Movement, electronics, acoustics and improvisation blend together in both subtle and obvious ways in this work seeking to define it’s own poetics and artistic statement. It’s an attempt to present interdisciplinary work beyond the novelty of what the technology offers— greater than the sum of it’s parts—while simultaneously geeking out on new tech and ideas! S. Eric Scribner Tree and Stone The piece I’ll be playing at the salon is an audience-participation piece called Tree and Stone . Since the piece is aleatory, it would work with another piece at the same time, so I’ll play a preliminary version of The Sherványa Nocturnal Music (share-VAHN-yuh), which relates to my fantasy novel Tond . I’ll hand out the scores and instruments for Tree and Stone and I’ll play the other piece on the piano. Ton...

Composers' Salon | Friday, March 3, 2017

An evening of music and discussion with Seattle composers: Ivan Arteaga Sheila Bristow Blake Degraw S. Eric Scribner Friday, March 3, 2017, 8 pm Chapel Performance Space 4649 Sunnyside Ave N, 4th Floor $5–15 suggested donation

January 2017 Salon previews

Tom Baker Three Movements 2017 marks 25 years since the first public performance of a piece of mine called "The Green Guitar" for solo guitar. In that span, I have written many works for solo guitar, including this piece to be performed on the Salon: "Three Movements". This piece is in 3 movements, each of which is a study of a different kind of physical movement: Slalom, Butoh, and R.E.M. It will be premiered by Satchell Henneman, a senior performance major at Cornish College of the Arts. Andrew Olmstead Spooky Action Taking inspiration from comics and musicals, draftsman Elk Paauw and composer Andrew Olmstead combine mediums to tell stories. All sound and art is produced by hand in real time. The combination of music and visual art is intended to communicate more effectively with the audience and in more precise ways. The pace of development is tightly scheduled, but there is some room for improvisation is the thematic material. Spooky Action's short s...