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January 2017 Salon previews

Tom Baker

Three Movements

2017 marks 25 years since the first public performance of a piece of mine called "The Green Guitar" for solo guitar. In that span, I have written many works for solo guitar, including this piece to be performed on the Salon: "Three Movements". This piece is in 3 movements, each of which is a study of a different kind of physical movement: Slalom, Butoh, and R.E.M. It will be premiered by Satchell Henneman, a senior performance major at Cornish College of the Arts.

Andrew Olmstead

Spooky Action

Taking inspiration from comics and musicals, draftsman Elk Paauw and composer Andrew Olmstead combine mediums to tell stories. All sound and art is produced by hand in real time. The combination of music and visual art is intended to communicate more effectively with the audience and in more precise ways. The pace of development is tightly scheduled, but there is some room for improvisation is the thematic material. Spooky Action's short set for the Salon will be a blend of audio-visual portraits, poetry, and theatrical illustrations.

On Instagram, Twitter, and Facebook: @spookyactionart

Nadya Kadrevis

it will be a trio, I'm doing an experiment on the fibonacci sequence along some lyrics I wrote.

essentially we will be improvising without leaving the fib sequence, so for example 112358 translates into aabcea or ggabdg the musician can start on any note they wish but staying in the form, meanwhile phineas will sing lyrics I wrote, musicans will also switch instruments during performance, this is not a collaboration albeit for the musicians improvising within the said constraints.

Jay Hamilton

Impossible Thoughts

This is an opera that will be presented as a live contemporary dance performance with prerecorded music and video projections all working together to tell the story. Music is by me (Jay Hamilton) with choreography in development by Erica Akiko Howard. We are looking for an Art Director. The singers you will hear are Emily Reisser, Sid Law, and me.

The story takes place on another planet, where alien beings have learned that an exploratory space ship from Earth is quickly approaching. These beings look mostly human, but they have wings, communicate telepathically, and have an intelligence superior to that of Homo sapiens. They need to understand who the people of Earth are and what their world is like...and decide whether to help them, or even to make contact at all. Frankly, they aren't impressed with Earthlings' ability to handle the technology they already have...

Meanwhile, the Space Ship Commander has a chronically ill childhood friend back on Earth who she communicates with across the reaches of space. The alien beings listen in on their transmissions.

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March 2018 Previews

Sarah Bassingthwaighte H20 , for soprano, flute, and guitar My piece is called H2O and will be performed by the Ecco Chamber Ensemble: Sarah Bassingthwaighte, flute; Stacey Mastrian, soprano; Mark Hilliard Wilson, guitar. The piece is written in graphic notation in the shape of a circle and the players rotate the circle as they go through 6 different forms of water: Snow, Droplets, Rain, Storm, Frost, and Ice. There is a lot of guided improvisation used by all of the players. It will be performed on April 21st at SOMA Towers as part of KING-FM’s Resonance Series. sarahbassingthwaighte.com Gavin Borchert Three songs Sagrada noche (4’) Cuando en el sol (4’) Una vez (7’) Gavin Borchert, piano; Michael Monnikendam, baritone Some time ago I discovered the song “Nacht und traume” by Schubert, which is now my favorite of all of his. Researching it I stumbled on a beautiful (anonymous) Spanish translation of Matthaus von Collin’s original German text, which itself seem

May 2018 Previews

Jay Hamilton My Muse, & Equal Temperament , cello and pre-recorded dialogue These two pieces are part of a work The End and Then…? presented on June 23rd at Velocity Dance Center Seattle. The show is mostly dance with music/dialogues begins with a funeral ends with a murder….and some of it funny. This is a one person performance (7 parts) I will be dancing during in the other 5 pieces sections. soundand.com/ Gavin Borchert Mazurka , for piano Berceuse , for piano Peter Nelson-King The Magpie’s Shadow , for solo piano The Magpie’s Shadow takes its inspiration from a poem sequence of the same name by Yvor Winters. Inspired by a line by Rimbaud - O saisons, o chateaux! - each poem is a single line of six syllables, a form invented by Winters. 28 poems are arranged in three sections, and my work has 28 aphoristic pieces based on each poem and grouped in the same section plan and same order. The poems depict mysterious, symbolic scenes in nature, possibly a dream