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November Salon previews

Beth Fleenor

“For the salon I will be presenting Watersong and Disproof, two song-scapes. They are simple immersive sonic meditations that focus on inclusive engagement of energetics in the moment. We are always carrying a story into our hearing of the next story, these song-scapes are reflection pieces, landscapes that allow a place to sit and breathe with all those stories.”

Nadya Kadrevis

“This piece is the final part of the Trinity series, called 'Redemption', with the same instrumentation: soprano sax, piano, cello. In this piece I was exploring space within the narrative (melody) which I originally set as a creation mythology. I set out to find this space within the busy and complex patterns that I wrote out with the intention to solve,and found the solution (redemption) through the response or lack thereof (following notes/instrument). Of course my ultimate goal was striving to please the ear…”

Neal Kosaly-Meyer

“I began active work on the ongoing composition-in-progress, Gradus: for Fux, Tesla and Milo the Wrestler in 2002 after having carried the idea of it around for about two decades previous to that. The idea was, "Learn to play the piano one note at a time." Almost 14 years on, this project of focused systematic exploration of each individual pitch available on the piano's keyboard, along with the combinations thereof, and the silence surrounding and supporting these sounds, continues to yield surprising insights and sensuous rewards.”

Clement Reid

Meditation and Winter are contrasting guitar pieces, one aiming to create a kind of timelessness and reflective feeling, and the other, being more motoric, with a feeling of accelerating activity. I wrote most of the music for both on a week-long train ride! Both sensations of timelessness and motion and urgency seemed part of the experience.”

Nicole Truesdell

“Earlier this year I wrote the Paris Sonatina for a festival. My intention was to musically capture impressions of different Parisian neighborhoods and sites—the chic, royal and historic undertones of the Marais, the quirky, artistic side of the Montmartre, and the romance of placing a padlock on one of Paris's bridges to symbolize your love's eternal flame.”

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Salon - November 9, 2019

Composers' Salon | November 9, 2019 An evening of music and discussion with Seattle composers: Carson Farley Garret Fisher Satchel Henneman Clement Reid Curated by Tom Baker Friday, March 1, 2019, 8 pm Chapel Performance Space 4649 Sunnyside Ave N, 4th Floor $5-15 suggested donation Twitter Website The Seattle Composers’ Salon fosters the development, performance and appreciation of new music by regional composers and performers. At bi-monthly, informal presentations, the Salon features finished works, previews, and works in progress. Composers, performers, and audience members gather in a casual setting that allows for experimentation and discussion.

March 2018 Previews

Sarah Bassingthwaighte H20 , for soprano, flute, and guitar My piece is called H2O and will be performed by the Ecco Chamber Ensemble: Sarah Bassingthwaighte, flute; Stacey Mastrian, soprano; Mark Hilliard Wilson, guitar. The piece is written in graphic notation in the shape of a circle and the players rotate the circle as they go through 6 different forms of water: Snow, Droplets, Rain, Storm, Frost, and Ice. There is a lot of guided improvisation used by all of the players. It will be performed on April 21st at SOMA Towers as part of KING-FM’s Resonance Series. sarahbassingthwaighte.com Gavin Borchert Three songs Sagrada noche (4’) Cuando en el sol (4’) Una vez (7’) Gavin Borchert, piano; Michael Monnikendam, baritone Some time ago I discovered the song “Nacht und traume” by Schubert, which is now my favorite of all of his. Researching it I stumbled on a beautiful (anonymous) Spanish translation of Matthaus von Collin’s original German text, which itself seem

May 2018 Previews

Jay Hamilton My Muse, & Equal Temperament , cello and pre-recorded dialogue These two pieces are part of a work The End and Then…? presented on June 23rd at Velocity Dance Center Seattle. The show is mostly dance with music/dialogues begins with a funeral ends with a murder….and some of it funny. This is a one person performance (7 parts) I will be dancing during in the other 5 pieces sections. soundand.com/ Gavin Borchert Mazurka , for piano Berceuse , for piano Peter Nelson-King The Magpie’s Shadow , for solo piano The Magpie’s Shadow takes its inspiration from a poem sequence of the same name by Yvor Winters. Inspired by a line by Rimbaud - O saisons, o chateaux! - each poem is a single line of six syllables, a form invented by Winters. 28 poems are arranged in three sections, and my work has 28 aphoristic pieces based on each poem and grouped in the same section plan and same order. The poems depict mysterious, symbolic scenes in nature, possibly a dream